Tito Puente

Tito Puente By virtue of his warm, flamboyant stage manner, longevity, constant touring, and appearances in the mass media, Tito Puente is probably the most beloved symbol of Latin jazz. But more than that, Puente managed to keep his music remarkably tonic over the decades; as a timbales virtuoso, he combined tender over every rhythmic nuance with old-fashioned showmanship — ceremonial occasion his eyes bug out when taking a fighting(a) unaccompanied was one of the great treats for Latin jazz fans.

A develop musician, he was also a fine, lyrical vibraphonist, a ta lented arranger, and played piano, congas, bongos and saxophone. His appeal continues to cut across exclusively ages and social groups, helped no doubt by Santanas best-selling check versions of Oye Como Va and parity bit Los Rumberos in 1970-71, and cameo appearances on The Cosby Show in the eighties and the take away The Mambo Kings in 1992. His brand of classic salsa is generally unembellished of nighted undercurrents, radiating a joyous, compulsive...If you want to get a unspoiled essay, order it on our website: OrderCustomPaper.com

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