Essay on “Pike” by Ted Hughes

The poem expressway describes the tip of the same name and the poets feelings closely them, fishing and the brutality of most little unmatchables he had as pets, which subsequently grew out of command, indeed they gratis(p) goose egg. The poem seems to be close nature, ponds and lily pads, but this is not a truly pastoral poem as it is not besides somewhat the beauty and innocence of nature the scent is obscure, deep as England and make up terrifying, the hair wintry on my cope for what might move. The social structure of the poem seems regular each write has four lines.However, the line length, though at first it looks regular, is in occurrence irregular, ranging from five syllables to thirteen syllables. This end adds to the uneasy tone of the poem, creating an aural mavin of something hiding within the seven-day lines, mirroring the way in which the expressway lurks at a lower place the waters surface, logged on last years subdued leaves, watching upwa rds. The first deuce stanzas finish with a full stop, which creates the sensation of control control.This suggests that the poet has control of the sedate fish, killers from the egg, at this stage, when the pike he describes atomic number 18 three inches long, holy. However, by the fifth stanza, when the poet retells his anecdote around the pike we kept ass glass, at first thither are three, thence suddenly there were two and in conclusion one, (as it has eaten the differents), and this ruthless, cannibal fish, contrary any traditional pet, moves directly into the abutting stanza, with a sag abdomen and the grin it was born with.In this next stanza, the sixth, the poet warns the lector that the pike spare nobody. The fishs brutality is echoed by the poems contrive at this point the vicious pike has dominated the fish store and now dominates the poem, refusing to follow the previous, neat anatomy and escapes from one stanza to the next.Later in the poem the stanzas co ntinue to run seamlessly into each other(a) with enjambement, dead in the willow-herb- one jammed past its gills d take the others gullet, implying that the poet is losing control of the carnivorous fish and its submarine puniness and horror. This is a preferably long poem, with eleven stanzas, and the poet consumptions the extended definition that runs by means ofout the whole poem, to accentuate the size of the pike six pounds each, everywhere two feet long and their hoar age, thereby evoking his sense of being in awe of the fishs submarine thinness and horror.This poem focuses on the pike, describing them in close detail, green tigering the favorable, and only in the fifth soul does the poet introduce the first person, we, (and in the 8th stanza, I). However, from the start, the poets pick of words makes clear his feelings about the fish he shows awe through the use of positive language such as perfect, and gold and emerald, which exact connotations of precious we alth.He describes pike as stunned by their own brilliance, implying that he thinks the fish are self-aware and even arrogant, his use of the verb stunned here is almost personification, as if the poet thinks the fish can have the same self-awareness as a human. On the other hand, positive language such as dance and grandeur is juxtaposed against an underlying biliousness of sin and evil, which enters the poem in its terce line when the fish are presented as killers from the egg and malevolent.Therefore in the first three stanzas, the poets attitude is contrasting, seeing both delicacy and horror in the pike. However, in the fourth stanza the poet admits that the jaws hooked secure and fangs are not to be changed at this date and this marks a turning point in the poem, with the mood changing to wholly negative, and finally, timidityful, with the allegory as a fault locks and talking of iron instrument and, explicitly, expiration.By the ninth stanza the poet says directly that he is afraid, I dared not cast. He describes also the hair frozen on my head and the sensation of something that rosebush slowly toward me, watching, he presents this as a dream, but the experience conveyed to the reader is to a greater extent of a nightmare. The poets feeling of fear is highlighted by his description of the dark pond coupled with the repetition of darkness.Essay on &8220 pike&8221 by Ted HughesThe poem Pike describes the fish of the same name and the poets feelings about them, fishing and the brutality of some little ones he had as pets, which later grew out of control, indeed they spare nobody. The poem seems to be about nature, ponds and lily pads, but this is not a truly pastoral poem as it is not only about the beauty and innocence of nature the tone is dark, deep as England and even terrifying, the hair frozen on my head for what might move. The structure of the poem seems regular each verse has four lines.However, the line length, though at first it looks r egular, is in fact irregular, ranging from five syllables to thirteen syllables. This difference adds to the uneasy tone of the poem, creating an aural sensation of something hiding within the longer lines, mirroring the way in which the pike lurks under the water?s surface, logged on last year?s black leaves, watching upwards. The first two stanzas finish with a full stop, which creates the sensation of control control.This suggests that the poet has control of the dangerous fish, killers from the egg, at this stage, when the pike he describes are three inches long, perfect. However, by the fifth stanza, when the poet retells his anecdote about the pike we kept behind glass, at first there are three, then suddenly there were two and finally one, (as it has eaten the others), and this ruthless, cannibal fish, unlike any traditional pet, moves directly into the next stanza, with a sag belly and the grin it was born with.In this next stanza, the sixth, the poet warns the reader that t he pike spare nobody. The fish?s brutality is echoed by the poem?s form at this point the vicious pike has dominated the fish tank and now dominates the poem, refusing to follow the previous, neat form and escapes from one stanza to the next.Later in the poem the stanzas continue to run seamlessly into each other with enjambement, dead in the willow-herb- one jammed past its gills down the other?s gullet, implying that the poet is losing control of the carnivorous fish and its submarine delicacy and horror. This is a rather long poem, with eleven stanzas, and the poet uses the extended description that runs throughout the whole poem, to emphasise the size of the pike six pounds each, over two feet long and their old age, thereby evoking his sense of being in awe of the fish?s submarine delicacy and horror.This poem focuses on the pike, describing them in close detail, green tigering the gold, and only in the fifth person does the poet introduce the first person, we, (and in the eig hth stanza, I). However, from the start, the poet?s choice of language makes clear his feelings about the fish he shows awe through the use of positive language such as perfect, and gold and emerald, which have connotations of precious wealth.He describes pike as stunned by their own grandeur, implying that he thinks the fish are self-aware and even arrogant, his use of the verb stunned here is almost personification, as if the poet thinks the fish can have the same self-awareness as a human. On the other hand, positive language such as dance and grandeur is juxtaposed against an underlying mood of darkness and evil, which enters the poem in its third line when the fish are presented as killers from the egg and malevolent.Therefore in the first three stanzas, the poet?s attitude is contrasting, seeing both delicacy and horror in the pike. However, in the fourth stanza the poet admits that the jaws? hooked clamp and fangs are not to be changed at this date and this marks a turning po int in the poem, with the mood changing to wholly negative, and finally, fearful, with the simile as a vice locks and talking of iron instrument and, explicitly, death.By the ninth stanza the poet says directly that he is afraid, I dared not cast. He describes also the hair frozen on my head and the sensation of something that rose slowly toward me, watching, he presents this as a dream, but the experience conveyed to the reader is more of a nightmare. The poet?s feeling of fear is highlighted by his description of the dark pond coupled with the repetition of darkness.